Professor Inkblot's Academy (Akademia Pana Kleksa)

Written during WW2, Mr Blot’s Academy has raised generations of children.

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Mikveh is a story about women and their everyday problems and dilemmas connected with their functioning within a religious orthodox community.

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The Tempest. In Between. dir. Damian J. Neć/ photo Natalia Kabanow

Der Szturem. Cwiszyn/ Burza. Pomiędzy (The Tempest. In Between)

The newest adaptation of The Tempest written and directed by Damian J. Neć is a universal and timeless play. Its ageless and sexless characters set against the background of the city falling into pieces transform it into a post-catastrophic picture suspended in time. It can happen everywhere, although the Yiddish language of the play specifies the place and time of action as well as imposes its interpretation: it is impossible to read it outside of the context of the Pogrom, the historic tempest that has changed the world.

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No there, dir. Agnieszka Lipiec-Wróblewska./ photo by Maurycy Stankiewicz

No there

“Not there” is a stage show about memory that underlies the intimacy of our memories and the acute lack of something that once existed, something that we had and owned. Based on Mariusz Szczygieł's book of the same title, "Not there” is an Internet performance telling a story about oblivion.

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Rejwach / dir. Andrzej Krakowski / photo: Bartek Warzecha


The director has decided to make the author, Mikołaj Grynberg, the main character of “Rejwach” recreating and recalling characters from his books.

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Proszę bardzo - spektakl Teatru Żydowskiego w reżyserii Wiktora Rubina. W głównej roli Tomasz Nosinski

You're very welcome

The theatrical event based on the autobiography combines motives that concern the complex and intimate self-diagnoses, it is a journey around the family trees, a discovery of branches and an effort to think about the autobiography as the substance of our here and now.

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Chmesz lider - spektakl na podstawie tekstu Icyka Mangera w reżyserii Andrieja Munteanu. Spektakl grany w języku jidysz przez Teatr Żydowski w Warszawie

Chumesz lider

This time, our guide will by Itzik Manger and his collection of cheerful, funny and informative poems “Itzik's Midrash,” which brought the writer a real fame. In his poems, he placed the Biblical characters as contemporary Jews living in a small town, just so like many little towns in the interwar time.

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Monodram z muzyką na żywo pt. Ida Kamińska powstał na podstawie tekstu sztuki "Mój teatr" Henryka Grynberga. Spektakl wyreżyserowała Gołda Tencer, dyrektorka Teatru Żydowskiego w Warszawie.

Ida Kamińska

Ida Kamińska built her theatre on the ruins of cries after the burned theatres. She was actively calling the audiences, the silent voices. “Life is something that happens to us even though we may have other plans”, she used to say.

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Spektakl 'Kilka obcych słów po polsku" w reżyserii Anny Smolar, laureatki Paszportu Polityki w kategorii Teatr w 2016 roku. Spektakl zrealizowany przez Teatr Żydowski we współpracy z Teatrem Polskim w Warszawie.

A Few Foreign Words in Polish

Anna Smolar presents a play about March ‘68 from a new perspective, unlike anything else before. Daughter of March ‘68 immigrants, born and brought up in Paris, Smolar creates a show which puts a spotlight on the children of people who have the common experience of March 1968.

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Jak w przedwojennym kabarecie / reż. Gołda Tencer / fot. Tomasz Urbanek

Just Like the Old Cabaret

Songs, humor, scenes from the inter-war time, in other words, it will be just like a pre-war cabaret. The time of life! The time of fun! The time of singing! The time of dancing! The time of laughter! The time when everything was possible!

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Golem - spektakl w reżyserii Mai Kleczewskiej. Ostatnia część tryptyku zrealizowanego przez Teatr Żydowski w Warszawie.


The legend of Golem, an artificial man, is one of the oldest in the Jewish tradition. For years it was penetrating various cultures, vesting them new meanings.

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Wiera Gran Weroniki Murek w reżyserii Jędrzeja Piaskowskiego. Spektakl Teatru Żydowskiego w Warszawie.

Wiera Gran

Our Wiera Gran will not meet your expectations. She will not satisfy your desire for emotions, tears and sadness, all that melodrama she is habitually associated with. This is our evil Polish tradition: blood, tears and averaging to the preset low standard of being, to be like all the rest.

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